TATA AQUILA HEIGHTS, Jalahalli, Bangalore | An Architect Reviews
India’s silicon city is growing taller. The proposed 32-storey tower, Aquila Heights by the Tata Housing Group in Jalahalli, once
Read MoreIndia’s silicon city is growing taller. The proposed 32-storey tower, Aquila Heights by the Tata Housing Group in Jalahalli, once
Read MoreThis yet-to-be-named commercial project, currently known by its Block Package designation, is just one of the many towers coming up
Read MoreBefore I describe the Diamond Tower, its necessary to give some information on the GIFT project.The picture shown below is
Read MoreClients, whether Corporates, Institutional or private, are getting more interested in sustainable solutions in their projects. This is due to the growing concern about irreversible environmental damage and a frightening escalation in energy costs as governments compete for a better share of the earth’s resources. Designers are coming up with several options for Sustainable Lighting that are getting better and better by the day…..
Read MoreThe picture shown below is that of the proposed 54-storey Naga Towers coming up in India’s largest greenfield megaproject, the
Read MoreIndira Gandhi International Airport’s (IGI) new domestic terminal called T1D which started operating since April 2009 is designed by the
Read MoreThe picture shown here is that of the proposed Gujarat International Finance Tec-City (GIFT) , which is being designed as
Read MoreA Study is used for Studying, Writing, Reading, Using the Computer, Storage of files, Books and as a Library. Sometimes, in smaller houses, a Study is also used as a Bedroom by a teenager or pre-adolescent child or an adult. The planning considerations include size and type of furniture, space allowance, clearance and space around the furniture for movement, storage space for books, files, clothes, etc. The Furniture in a study room typically includes, a desk or a computer table, a chair and in addition a single bed or twin bed and bedside table. An Architect explains all these considerations…..
Read MoreAfter Selecting the Site, it is advisable to apply Vastu Principles and tips to the design of the building. This
Read MoreColors play a very important role in our lives and have a definite bearing on our fate. People respond to the energy of colours around them, either positively or negatively. Preferably, colours in our built surroundings should be subtle and pleasant. They should not be very bright and stimulating. In Vastu Shastra, specific colours have been prescribed for each room because each room has a specific function. An Architect explains …..
Read MoreVastu Shastra takes into account the various natural energies which are available free of cost on the Earth and in
Read MoreIn Vastu Shastra, the door and window positions are important because they let in the air, light and energy into the rooms of the house. If they are in the right positions, then there is a positive flow of air, light and energy from the outside to the inside and from room to room, thus enhancing the health and the lives of the inmates and creating a feeling of contentment and happiness. An Architect explains the scientific way of using Vastu guidelines for the right placement of the windows….
Read MoreThe Entrance to the Site of the House, is through the gates. Here, I have explained the Vastu Guidelines for
Read MoreIn multi-level houses, there may be a Basement which is accessed through the Staircase. The basement is usually meant for
Read MoreThe Council of Architecture (CoA) an autonomous Statutory Body of the Government of India, has been constituted by the Government of India under the provisions of the Architects Act. The CoA is charged with the responsibility of enforcing the Act throughout the country, including Registration of Architects, regulating the Architectural Profession and Education in India, besides maintaining the Register of Architects……
Read MoreThe practice of the Architectural Profession in India is regulated by the Architects Act, 1972, and the regulations framed thereunder.
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